The fans match that passion and dedication, proudly displaying the group's symbol on their social networking pages and tattooing it on their bodies.ĭemon Hunter is an anomaly in today's heavy music scene, jettisoning fashionable trends and easily recognizable cliches in favor of traditional heavy metal power and melodic hooks. Ryan Clark's graphic design firm he co-owns with his brother Don (formerly of Demon Hunter), Invisible Creature, has racked up several Grammy nominations in the packaging category. The "Hunters" in the "Blessed Resistance," as the band's most devoted fans are known, have championed the cause since day one and are making their voices heard throughout the underground.ĭemon Hunter's level of commitment to the quality and presentation of their music is matched only by their attention of detail to their packaging and overall aesthetics. Ryan Clark was featured on the cover of Revolver in 2006 as part of their "Christian Metal" cover story and they are regularly a huge draw at festivals. That song, "Carry Me Down," "Undying," "One Thousand Apologies," "Not Ready to Die" and "Infected" - to name a few - have all been staples of Christian, college and speciality radio and featured continuously on MTV2's Headbangers Ball and Fuse. "Fading Away," the first video / single from STORM THE GATES OF HELL, has received over 1 million views on YouTube. It's an incredible feat for a band that has yet to venture from North America and has never toured regularly.
THE WORLD IS A THORN follows previous studio albums STORM THE GATES OF HELL (2007), THE TRIPTYCH (2005), SUMMER OF DARKNESS (2004) and DEMON HUNTER(2002), as well as the live album and three-disc CD / DVD set 45 DAYS, which have sold close to a combined half a million copies. "This album is the antithesis of the modern way of life." Subjective truth, self-love, unrestricted perversion, the destruction of morality: these are the things that have ultimately brought us to a place of depression and madness. "Our opinions on social and political issues are no longer tolerated as valid and we are commonly viewed as the enemy.
"In this age it has seemingly become more and more detestable to be a Christian," Clark elaborates. This stance has won them respect from fellow believers and opposite points of view alike. In particular, the lyrics take aim at the ideals of a Godless people and the depletion of our morals and values."ĭemon Hunter has always been a Christian band and has represented their point of view strongly, despite the larger trend of watered down philosophies that straddle the line for popularity's sake. "Most of the songs deal with the current state of the nation and the world as a whole. "The album title refers to the often harmful and destructive world that we live in," explains Clark. THE WORLD IS A THORN is a definitive mission statement from a band at a creative apex, firing on all cylinders with awe-inspiring intensity. Yogi Watts returns with another jaw-dropping drum performance, backed up by longtime bass player Jonathan Dunn.
The album formally introduces guitarists Patrick Judge (who joined the band as a touring guitarist in 2008 and is now a full-time member) and Ryan Helm (of The Ascendicate) with a new batch of songs written by co-founder and vocalist Ryan Clark. Songs like "Descending Upon Us," "Lifewar" and the title track are by far the most aggressive of the band's career, "This is the Line" and "Collapsing" are a couple of the fist-pumping but still hard-driving anthems and "Driving Nails" is one of two ballads on the album the likes of which their fans have come to both expect and cherish. It's a well-worn cliche these days for a band to say their new album is "our heaviest but also our most melodic," but Demon Hunter delivers in spades with this release. Skillfully Demon Hunter has always blended metallic might with melody. THE WORLD IS A THORN was produced by the band's longtime collaborator Aaron Sprinkle (Acceptance, Anberlin, TheĪlmost) and mixed by powerhouse producer Jason Suecof (All That Remains, Trivium). Landmark albums that have made the band one of the most important in the genre. The band's fifth album follows the landmark documentary 45 Days, last year's LIVE IN NASHVILLE collection and a catalog of
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